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Michael Dobinson's middle initial is "R". Michael explores many themes, idioms, genres and even cultures in his work. He credits his studies at York University with opening his ears to many different influences (he lists Indian music, Gamelan Music, Gustav Mahler, Iannis Xenakis and John Cage as his most powerful influences) which he has drawn on freely and in different ways at different times. He also frequently explores the collision of nature and technology in his music, both in the sounds he uses and the structures he employs. His combination of acoustic and electronic musical instruments also reflects this theme. Michael completed his musical training in two stages: first at York University (Bachelor of Fine Arts, Honours Music) and then at the University of Western Ontario (Masters of Music, Composition). During this time, in addition to receiving the normal training in European Classical music, he studied composition/orchestration with (among an unmentioned other or two) James Tenney, Phil Werren, David Lidov, David Myska, Jack Behrens and Peter Clements, and received exposure to Balinese, Indian, Japanese and Persian musical theory and aesthetics. |